Was actually David Bowie’s 1983 strike “China Girl” racist?

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But racist deliberately.

If you are wondering why that renders an improvement, think about Bowie’s feedback in moving Stone that same seasons: “Let’s make an effort to make use of the video clip style as a program for most particular social observance, and not only waste it on trotting aside and wanting to increase the general public picture in the vocalist engaging. I Am Talking About, they are little flicks, and a few motion pictures may have a time, consider try to make some point.”

During the time, the “China Girl” video clip is a marvel. It depicted the gender bending Bowie as a hypermasculine protagonist in a lush, interracial romance. It had been furthermore rife with stereotypes. The lyrics showed a desire to overcome — and supplied a threat of racial physical violence.

Bowie’s brand new enthusiasts — individuals who flocked to your after the popularity of the 1983 “Let’s party” album — could have believed they certainly were getting a salacious pop single offered up with a flavor of Asia, but more mature followers from the ’70s understood much better: Bowie was actually putting on the part of a racist womanizer not just to decry racist womanizing but to condemn the West’s demeaning view of the East all together.

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